Archive for Design

The Edible Garden; a Permaculture Workshop

The Edible Garden: a Permaculture Workshop

Wow. Milena and I had a great time Sunday at the Permaculture Event at Tom and Susan Armstrong’s “Park” out in Redmond. They are great people: very knowledgeable, energetic, loving, sharing. They own the Raw Source raw food store– it’s in their converted garage. And they brought in Bruce Horowitz, a really great permaculturist/sustainable comunitist/raw food chef from Bellingham. And there were about 8-10 other guests, all of whom were really great, too!

It was just a really positive time of learning about sustainability, permaculture and how its design principles fit into your everyday life, and just being around cool people. And creating stuff! Yes, Milena and I worked on the “Herb Spiral,” which is a circular/spiral-shaped built-up area for growing herbs. It is south-facing, and each quadrant or so has a special purpose. For instance, the southern quadrant or so is made up of sun-loving plants, since south is the direction of the sun. Likewise, the north-facing quadrant or so houses more shade-loving herbs, since they will be shaded by the more southerly plants. HerbSpiral.tTARgwmUospQ.jpg

Get it? One of the main principles of permaculture is that each element of the design serves at least 3 purposes. Another is that the elements are all symbiotic. So, efficiency is prime.

Enchanted Rock

As great and ebon pillars frame
The vaulted granite and nurture the
Bell-watcher, so do overarching
Branches bower all I feel
From this bough-strung, airy cot.
Ah! God’s world! Yes, He made it for us
And lives astride it; and by prayer
And right living, from within
The forest grove we may yet
See him in our minds; crouched
Heavily on his gilt-leaden throne,
Dizzying white to even most-exalted
Human brain. O! Lord of lords!
Highest of the high! Thou art First
And Last, Means and Measure of ev’ry
Plastic, fallible thing of thy creation.
O! To live and be with Thee
Above this dreary world of decay.
To shine forever with the unfalt’ring
Blaze of motionless stars,
Ne’er to feel the pangs of love lost
Or unrequited; ne’er to see the last
Embers of a brother’s once-flaring
Vitality slowly fade into engulfing
Darkness; O! The mere hint of a thought
From thy most Perfect Intellect
Instantly manifests infinitudes of worlds,
Inhabited with creatures of Purity and Grace:
Great winged lions Pneuma-lifted,
Reconnoitre and pounce on the Imperfect:
Twisted, knotting flesh succumbs to
Tooth and claw; the loveliest of womankind
Stroll through fields of primrose, fine garments
Flowing about their bosoms; they help
One another out of their twisted tangles
Of fabric and one by one dive
Into wat’ry ablution, singing
“Hail Mary, full of Grace!
Turn to us thy Perfect Face!
When thou seest what we have done,
Thy wrath shall fall’st upon thy Son!”

O! were the base and lower creatures
Of this sticky, fragile valley grand
As that pinion’d enforcer of Heavenly Law!
Were men and women Heavenward lifted
And purged of whimsical carnal desires!
O! were the very ground upon
Which we standeth steadfast
As thy Word, O Lord! Through me
Sing thy empowering songs of creation!

Atop the precipice of this enchanted rock
I survey the confused maze of human
Order, god-like; from darkness beneath
My forward-looking eyes emerges
A pure, sinuous drone to which beats
The rhythm of my heart and synchronously
The receding ripples of hill and dale.
Obscuring a nearer peak, mists hover
And all signs of life smother:
Thick cloud of acid rain casts
Sheets of death over all it darkens;
But as it passes to a succeeding vale
The light of my seeing beholds a peak
Recreated: bright with new-budding flowers’
Open invitations to free-roaming bees;
New-branching trees reach out
To embrace and enfold the very reaches
Of Heaven; river trout play and burst
The dancing and splashy surface of bubbly
Bourne, drunk on crispy post-shower
Air. Spots of such cloud obscure
Variously among my vista, carried upon
Viewless, inconstant winds that now billow
Up from below, now beat me from beside,
Now tease nape-hairs in subtle desultory tugs.

O! Enchanted rock! Still
And silent forever in thy massive permanence!
Though divine breeze buffet thy barren slopes,
Though soft rain pound thy granite shores,
Though warming sun bake thy stressless crevices,
Still dost thou stand, irresponsive, silent
But for the moaning blasts that gust amain
Through thy mysterious caves and crags;
Still dost thy sheer mass and impenetrability
Impress upon this mutable earth
Thy imposing form, stamping thy design
Upon this world of immediate sensation.

* * *

Down into the hallows of the rock
We travel, disembodied and borne
Aloft by the selfsame wind that carries
The Word from its berth among inner caverns
Out into the world and now back again,
Having deposited in that soddy vale
The heavy crudities of its broadest meaning.
As we delve deeper into the ancient darkness,
The air loses its warmth and likewise
The caverns slow-shine of an alien light
Of unknown yet steady hue,
Like the chill, eternal night
Of arctic borea. Here are frozen
In perfect magnitude beauties in essence:
I reach to touch upon first sight
A band of pure gold inlaid with dazzling diamonds–
My hand flinches in quick retreat
From inhuman cold. Borne now
To a deeper, vaulted chamber
Which roof is crystalline to sight
Even at this impossibly eternal height,
Cistene figures imag’d of most brilliant
Shapes and colours caught mid-step–:
Beautiful serpent coyly coiled
Upon that cursed apple tree,
Fruit of Knowledge yet upon
The lips of ambitious Eve;
Damned, lonely Adam ever
Reaching, tantalised by God’s closeness,
The sight of whose Infinite Being upwells
In him an ever more aching hunger.

My heart cries out for the guiltless souls
Of physical First Man and Woman,
And though in Heaven ripe fruit ne’er falls,
On earth it does, and when it lands
In the lazy lap of a dozing poet,
The dreamer wakes and the hungry eat.

the “Napoleon Clock”

When we were in Corpus last month for Aunt Kay’s funeral, I found out about the W family’s “Napoleon Clock.” MW said at the time she thought it was worth “millions.” But her dad said more like “thousands.” Sheeeit. “Either way,” I said, “let’s SELL it!”

Anyway, it’s made by Swiss/French timepiecemaker Jean-Antoine Lepine. Here is a short bio from the Horological Foundation’s web site:

LÉPINE Jean Antoine, son of Jean. Paris (Place Dauphine), b.1720, d.1814.

He was bom in Switzerland in a village called Challex near Geneva. He started his horological career in Geneva but soon went to Paris in 1744 as apprentice to Andre Charles Caron, the King’s clockmaker. He married Caron’s daughter in 1756 and was made Master in 1765 about which time he was appointed Horloger du Roi.

Lepine was responsible for a great many inventions but none more important than a new calibre of watch movement that revolutionized watch making and with which his name is synonymous. This ‘Lepine calibre,’ in which separate bars were used instead of a single top plate was introduced about 1760.

Introduced the use of a mainspring barrel supported at one end only, and other changes, leading, with cyl. escapement, to thin watches. Described a repeating movement using rack in place of chain, in Mémbre de l’Acadademy des Science in 1766.

Watchmaker to: Louis XV, Louis XVI and Napoleon I.

  • Invented the virgule escapement and a keyless winding.
  • Acted as agent for Voltaire’s workshops at Ferney ca.1770.
  • 4-colour g. watch: Victoria and Albert Museum. S. Kensington
  • Enamelled watch and chatelaine: Fitzwilliam Museum, Cambridge,
  • Six watches: Guildhall Museum
  • Two with virgule escapement: Collection of the late Major Chamberlaine
  • 4-colour gold watch Fränkel coll.Lyre watch: Basle Museum
  • Gold enamelled watches: M.P.S. Dresden. Watch Carnegie Museum
  • Two 4-colour gold watches: National Museum Stockholm,
  • Watch in porcelain case: Gélis coll.Watch in ring: Ilbert coll.
  • Astro. clock and three mantel clocks: Buckingham Palace, London
  • Two clocks: Palais de Compiègne, one made for Napoleon. Clock made for Josephine, Mobilier National, Paris
  • An eminent maker. He worked as CARON ET LEPINE till 1769. Left his business to his son-in-law RAGUET in 1783.

    Lepine’s business was sold in 1810 to J. B. CHAPUY, who employed Jacques Lepine. It was sold in 1827 to DESCHAMP, who was succeeded in 1832 by FABRE. The business continued under the name Lépine till ca.1916.

    The clock’s design is themed around the Greek goddess of the Harvest, Demeter (or to the Romans, Ceres). See my Flickr site for more detailed images.

    Unfortunately, the clock’s in pretty bad shape. Demeter’s right arm, which holds a staff, has broken off. There is another piece that fits on top of the clock-box that has broken off. There is one more decorative piece that has broken off from somewhere on the mechanism. And there is supposedly a glass dome that fits over the whole thing. TW says it is around his house somewhere, but his immediate search was futile.

    However, the clock does seem to be the real thing. It is made of brass: i took a penny to the inside of the base and tried to scratch off what may have been brass plating, and nothing scratched off, which is a good sign that it’s not just brass plating, but solid brass.

    So, it seems like, if this clock was actually owned by Napoleon, (or even Josephine), it should be worth some pretty good money even in its condition. I’m posting queries to some antique clock message boards, to see if anybody knows anything more about it.

    Putting it out there…

    First WordPress entry

    Hello. I love trying out new blog systems. Found WordPress last night, liked the blog “Biosingularity”, or at least the idea of Transhumanism and Technoliberation: that technology will help humanity survive and even evolve into the next level of bio-informatic species.

    But i’m really looking for a blogging system that will allow me to post images and music files really easily and prettily. I’m an artist and musician, and while i love to write, what will ulitmately decide for me which blogging system to use is its multimedia abilities, its user-friendliness, and its ability to customize its layout, colors, visual design.

    So. Trying out WordPress.

    peace+love,

    Keith

    PS: so, here’s a pic i just did for Cheryl’s business…

    omBalance desktop